Banquo - a Spiritual Force in Shakespeares Macbeth :: Macbeth essays

Banquo - a Spiritual Force in Macbeth Who cannot learn from Shakespeares Macbeth this moral lesson That crime does not pay? And who can deny that the playwright created a spiritual force in the play in the person of Banquo? This essay is his story. Lily B. Campbell in her volume of criticism, Shakespeares Tragic Heroes Slaves of Passion, discusses how fear codes the life of Banquo with the murder of Duncan and his deuce attendants And as Lady Macbeth is helped from the room, we see fear working in the others. Banquo admits that fears and scruples shake them all, even while he proclaims his enmity to treason. But Banquo fears rightly the individual retirement account or hatred of the Macbeth who has power to do him harm. (222) In Shakespeare and Tragedy John Bayley discusses Banquo shortly onwards his murder . . . like Banquo, who, in the tense hour before the murder, expresses in more forceful form the idea of evil speculation and possibility as ranging in the mind Mercifu l powers, Restrain in me the verbalise thoughts that nature Gives way to in repose. II.i.7-9 At such a moment the activities of the mind become almost palpable and express themselves in bodily form, as they do in the other two mind tragedies. In the speech which he imagines the thoughts that may come to him when he goes to rest, Banquo hands his sword to his son Fleance, and wherefore - with a dream-like precision - hands over his belt with its dagger too Hold, take my sword. Theres husbandry in heaven Their candles are all out. Take thee that too. (188-89) Clark and Wright in their Introduction to The Complete Works of William Shakespeare comment that Banquo is a force of good in the play, set in opposition to Macbeth Banquo, the loyal soldier, praying for restraint against evil thoughts which enter his mind as they had entered Macbeths, but which work no evil there, is set over against Macbeth, as virtue is set over against disloyalty. (792) In Fools of Time Studies in Shak espearean Tragedy, Northrop Frye explains the rationale behind Banquos ghost in this play Except for the episode of Hercules leaving Antony, where mysterious music is heard again, there is nothing genuinely supernatural in Shakespeares tragedies that is not connected with the murder of the order-figures.